Medieval

Ysbrydion Castell Rhaglan

Deep within the centuries old foundations of Castell Rhaglan lies the spectral residue of battles fought and kings slain. It’s cold, stone ruins a grave for the sodden ghosts of old Wēalas… ⠀
Arcane energy has been conjured with ‘Ysbrydion Castell Rhaglan’, a desolate traverse through the echoing bowels and caverns of a fallen dominion.

Old Tower ‘The Last Eidolon’

The concept of the eidola has its roots in Greek mythology. Spirit entities which temporarily occupy mortal beings to influence and dictate their decision making for desired outcomes before their eternal rest in the underworld. Ambiguous both morally and by nature, legends tell of Helen of Troy being kept prisoner in Egypt while her eidolon mimic was at the centre of the Trojan War, according to the writings of Herodotus.

The arcane energy which lies neglected under the castle ruins and centuries-old sediment of haunted Europe is a source of fascination and inspiration for Netherlands mage Old Tower. A dark ambient project born from the quasi-orchestral pieces featured in black metal, the sole creative force behind Old Tower mysteriously known as ‘The Specter’ has been crafting a series of deeply evocative and eerie synth pieces utterly immersed in the spectral reverberations of empires fallen and battles past fought, both thematically and in texture. While the murky throb of dungeon-synth certainly courses throughout, Old Tower avoids the PC loops and MIDI Renaissance silliness that can befall his/her contemporaries but instead reaches for deeper, alluring, and richer sonic alchemy.

In contrast to the weathered monochrome of previous artwork, Old Tower’s third and latest L.P. glares with a velutinous blood red, a hint of the exotic traverse of mood and space within. Comprised of three chapters, The Last Eidolon tells a story of a kingdom lain to waste by misuse of black magic and the futile reaching for past glory. Faded memories and desolate introspection pervade the entire record, ‘The Specter’ utilising subtle shifts in tone and instrumentation to convey the haunted echoes of the former dominion.

The first chapter ‘Loremaster’ opens with a ritualistic hammer of a gong crashing through the cavernous expanse. Recurring throughout as a motif albeit in differing levels of reverb and dank, shadowy drones and Gothic vocal choirs percolate deep within the stone fortifications before a sharp interruption of unearthly organs and martial drumming, the ghosts of old warning you not to tread further. ‘Shadow Over Thy Kingdom’ has an industrial clangour in its bowels, the distant pomp of ceremonial might and the metallic resonance of the swordsmith striking together around a mid-section of celestial choral intonations like the conjuring of a once great power. Final chapter ‘The Fallen One’ is a more subdued affair, a meander around collapsed archways and decrepit stone of atmospheric strings and funereal advance, the king wearily resigning himself and his empire to the slow, certain erosion of time. The track is sodden with the hissing fall of rain, the inevitable reclamation of nature that awaits all kingdoms.

Instead of merely presenting an album which provides fantastical escapism, Old Tower instead delivers a record which invites you to reconnect with the fertile aura that inspired centuries of storytelling and lore. The Trojan War, King Arthur, Norse mythology, all legends that stir man’s yearning for meaning and purpose in the short, terrible passion of life. The Last Eidolon is an authentic and beguiling soundtrack to the phantom trauma of the sins of our fathers and the buried empires they once ruled.