The chilly punch of Glaciers hit Noods Radio once again, another hour of minimal synth and frosty vibes. Cracking cover of ‘Rhythm Is a Dancer’ too! Check it!
Berlin’s grip on the cutting-edge of post-punk and electronic music never seems to ebb, from Bowie’s Kraftwerk inspired Hansa records, the alienated clangour of the Neue Deutsche Welle, to the hedonistic techno Mecca of The Berghain, the city’s innovative energy continuing to inspire. With no sign of the old Prussian capital resting on its laurels, Detriti Records has spent the last decade releasing numerous synth and coldwave tapes, establishing itself as one of the leading champions of “beautiful, interesting and sexy music”, to quote label founder Davide Lace.
The latest addition to the Detriti roster is Danish EBM act Albert Severin. A solo project from former MOTH member and Melting Walkmen frontman Patrick Ringsborg (and possibly named after a distinguished French soldier of WW1), the new beat Copenhagener has released a string of tapes exploring a penchant for acid techno. New tape Athletics sees Ringsborg pursue a tougher, more industrial direction, including three songs from debut tape Severin’ Heads re-recorded with harsher potency.
The very first second of the opening track ‘B.R.I.A.N.’ establishes the attitude promptly: Lean, muscular and groovy. A thick bassline stomps alongside punchy drum machines with brass presets straight out of classic Wax Trax! so infectious it’ll make any committed rivethead proud. Ballardian car crash fascination pervades the dramatic ‘Impact’ warped audio samples of crash PSA’s haunt the strong shimmering melody like a spiritual successor to Front 242’s ‘Don’t Crash’. The enlightened serenity of the tape cover radiates on ‘Sugarfang’, a beguiling tranquillity of ethereal keys behind the frenzied percussion before ‘Modem’ jumps headfirst into Ringsborg’s love of squelchy acid house without totally abandoning that special industrial grit. Final track ‘Albert’s Song About the inherent Flaws and Fatal Consequences of Late Stage Capitalism’ says it all, leaving you pondering the neoliberal nightmare we’re subjected to with one last crunch of programmed abrasion and a welcome introduction of Gothic piano.
Albert Severin has managed to distil a wide range of sub-genres into a cohesive kick of an EP while always maintaining its terse minimalism. Athletics is tough as fucking nails yet never loses its eye on making you dance.
Another blast of icy vibes and chilly tundras with an extra dose of post-punk drama at its heart hit Noods Radio yesterday! Wrap up warm and stay safe!
Noods Radio was hit with the 15th Glaciers last Wednesday, another chilly blast of synth vibez and a smattering of shoegaze and Scouse post-punk for good measure! Wrap up warm! 🎹 ❄️ 👌
Glaciers frosted up Noods Radio again today, catch up with the 14th helping of icy sinewaves and frosty frequencies below! 🎹❄️👌
The 13th punch of Glaciers hit Bristol’s Noods Radio once again, another hour of chilly vibez! Check it out! 🎹 ❄️ 👌
After two months off the chilly punch of Glaciers is back! Here’s your twelfth helping of your favourite minimal-synth and coldwave pop courtesy of the Noods Radio mob!! ❄️ 👌
Frosty coldwave hit Noods Radio for the eleventh time, another hour of icy minimal-synth and its many shoegazey post-punk cousins. This’ll be the last for two months so tune back in in February! 🎹 ❄️ 👌
The tenth Glaciers show hit Noods Radio once again, another hour of the usual minimal-synth coldwave vibez and some additional Belgian avant-pop, haunted choirs, and ice-cool electro from Berlin to boot! 🎹 ❄️ 👌
Christophe-Philippe Oberkampf was an 18th-century industrialist, born in Germany but eventually becoming a naturalised citizen of France. His pioneering production of printed cotton won him the mayoralty of the Parisian commune Jouy-en-Josas, and his legacy is celebrated in the many commemorative place names within the capital’s 11th arrondissement, including the street Rue Oberkampf.
‘Franco-German industrialists’ is an apt tag for the Munich based, Parisian affectionate, cold-wave trio. Formed in 2016 and comprising former DJs Michael Maier, Damien De-Vir, and Julia de Jouy, Rue Oberkampf have confidently established themselves swiftly as one of minimal-synths signature acts, their punchy studio output and thrilling audio/visual live sets praised in equal measure. De Jouy’s cool French vocals atop icy jagged synths struck a chord of subtle menace on last years Waveclash EP, but their penchant for club aggression has been fully explored on debut LP Christophe-Philippe, out via Young & Cold Records.
While chilly analogue production is still present, there’s a greater techno-driven kineticism that aims for dancefloor sweat. Pumped EBM beats pound with chunky sequencer thuds on the primed ‘Glycine’, a propulsive electro-banger which swells to momentous heights with waves of expertly twisting arpeggios and bass lines. Furious club pummeling hits even harder on second track ‘La Course’ (meaning ‘The Race’ in English), an electric six minutes of unrelenting tempos, frosty synth washes and hi-hat claps so lightening charged you could almost mistake it for a Blanck Mass production.
Rue Oberkampf’s minimal-wave shards still cut with satisfaction, but the EBM bite that lurks round the corner lends the record a greater dimension and urgency. Christophe-Philippe is a confident and bold debut statement that stands as one of the best examples of the cold wave scene.