When writing ‘end of year’ anythings, it’s hard to avoid the cliché line of ‘this year was better than the last’, but it honestly feels true. It never ceases to amaze me how cutting-edge, transformative and exciting music is right now, both in my hometown of Bristol and across the world.
After spending an agonising hour trying to write something profound about the year, I instead decided to save the yakkin’ for the upcoming end of decade playlist and instead let the music do the talkin’!
The usual minimal-synth vibes hit Bristol’s Noods Radio for the ninth time, including a little smattering of Irish bedroom experiments, a great Nena song which isn’t 99 Red Balloons, and some Soviet shoegaze to boot! 🎹 ❄️ 👌
Music right now is colourful, biting, stirring, and so cutting edge you feel lucky to be in the middle of it all. A significant part of this progressive wave, both musically and politically, are the amazing women seizing music away from the tired hands of the male, pale and stale, and smashing the patriarchal rock clichés with vigour.
There’s such an ocean of brilliant women creating reactionary and pioneering music, how does one do that justice by a mere 25 song playlist? This is simply the tip of the iceberg, and the artists that have sound tracked my last few years, an entirely subjective collation, for whatever my opinion is worth.
Here we have a gamut of all manner of musical awe: The icy soundscapes of Void Vision, Pleasure Venom taking a tiki torch to MAGA SS red caps, the digital venom hurled at male entitlement by Girl Pusher, the cavernous mysticism of Iona Fortune, and the kaleidoscopic alien visitation that is Spellling. I hope you enjoy as much as I did!
International Women’s Day is more than just a day, and your solidarity should consist of more than compiling a playlist. Support your local female artists, let’s ensure our venues and musical spaces are safe and free for everyone, and let’s be vigilant at removing the social hurdles and obstructions that stifle great art.
There’s still a way to go, in society, in the music scene and industry, and perhaps even IWD itself. My good friend, singer and musician Amber Watson, has this to say:
‘On the one hand I want to feel excited about IWD and celebrate my womanhood. But honestly I do that every day. It’s the parts of IWD which dosen’t see consistency throughout the year that troubles me the most, and therefore make me view the day as somewhat pointless. Promoters, bookers, venues, labels, radio managers and presenters… etc etc etc… they all hold responsibility to ensure more women are being placed on their line up, in their workforce or hosting their shows etc. Holding an annual day to say “oh look we’re on the band wagon too” isn’t enough to make change. The issues will never be fixed if we leave it to a yearly celebration and conversation. The music industry deserves diversity; creativity flourishes when you have more views and ideas added to the bucket, and shit well we all wanna hear new epic music right? Unfortunately I am not seeing huge movements in the stats across the board, and the industry is constantly disheartening to me. So IWD makes me cringe a little, yes, let’s celebrate, but how about in 2019 we ALL continue to keep that motion swinging and work towards equality like certain organisations and groups are persistent with. Don’t be a hypocrite, be a fully fledged, 24/7 ally, and reap the benefits through some fit as fuck tunes and shows.’
Head over to Noods Radio and discover all the women/female identifying residents and DJ’s being celebrated on their ‘Women of Noods’ feature series.
Check out Loud Women, a not-for-profit initiative dedicated to showcasing women artists and pushing women music journalists, with an option to submit your own editorial contributions too!
Bristol Women in Music is currently ‘under construction’ at the time of writing, but has a growing reputation of raising awareness of the issues faced by women when navigating the music industry. Also organises women focused DJ lessons!
Audiofemme is a NYC femme and non-binary run music and culture blog. Give it a follow!
Bristol’s Exchange is hosting the International Women’s Day Extravaganza, a jamboree across two days, full of live acts, drag kings and queens, and DJs til the early hours. Also screening the documentary So, Which Band is Your Boyfriend In? on the Saturday. Get a bundle ticket for £10, with proceeds going to Mind, to raise awareness of the mental health support for Women and those in the LGBTQ community.
If you miss the Saturday screening of So, Which Band is Your Boyfriend In?, here’s a list of all further screenings.
The Zion Community Art Space in Bedminster Down, Bristol, is hosting the International Women’s Day Gig Night, a roster of female acts with proceeds going to the breast feeding support group ‘Babes@Zion’. Includes Mexican food!
Give artist/singer and radio expert Amber Watson a follow. Not only did she kindly contribute to this post, but is also a talented reviewer at Tap the Feed. I had the great privilege of seeing her sing live, and her 5 minutes was the sincere highlight of the entire set.
Check out singer Annie Nash, a new and upcoming artist returning to the Bristol music scene after a hiatus. Follow her Instagram to keep updated on forthcoming releases!
Something wicked this way comes. Album opener ‘Red’ is the sound of the carnival coming to town, distant revelry creeping up on you like a sudden, strange spell. The closer the funfair gets, the more dreamlike its lights, candy floss, and harlequin performers intoxicate you. Things aren’t all it seems, and you know surely you owe Mr. Dark something for this kaleidoscopic escape…
Spellling, being the brainchild of experimental artist and part-time teacher Tia Cabral, has become a leading force in the queer/femme/brown psychedelic scene of the Bay Area, replete with extravagant costumes and Parliament/Funkadelic theatrics, and culminating with 2017s critically acclaimed debut Pantheon of Me. Initially toying with the idea of a disco side project, she instead poured her creative intuitions into her sophomore effort Mazy Fly, a haunted record that wears her love of Off the Wall, her Juno-106 synthesizer, and the supernatural on it’s sleeve.
Cabral’s disco inclinations shine on ‘Under the Sun’. Klein & MBO italo-pop bounces with 808 beats and violins, while a stirring synth hovers above, like a melody from another song. What can at first appear disjointed soon become intriguing and part of Spellling’s unique sound, going from Giorgio Moroder to astral ascendancy, floating beyond the ether to the wish of the planet receiving the warmth of the sun. Her silky smooth vocals cast a spell on the electrifying ‘Golden Numbers’, a gorgeous soul piece with vocal harmonies in perfect arrangement, lifted into strange new heights with hollow electronics glitching and wriggling in the sonic sparsity.
Coldwave, Metamatic minimalism chills on the eerie ‘Haunted Water’, Gothic synths pulse like early Legendary Pink Dots, examining the spectral residue of slave ship trauma, and it’s parallels with the perilous journey faced by refugees crossing the waters. ‘Real Fun’ is a prog-opera, spindly wah guitar whispers of aliens looking for music, before exploding into a full on organ pomp and Wurlitzer solo. The Wurlitzer returns on the soaring ‘Afterlife’, a saxophone trickles into the track like syrup against Cabral’s R&B vocals, then swells into a celestial voyage, beaming you up aboard the dazzling mother-ship and whisking you away from your every day mundanity.
Was it all a dream? As album closer ‘Falling Asleep’ eases you back into reality, its drums crash like the rumbles of a locomotive, the carnival’s packed up and off to the next town. Mazy Fly is a thrilling and ethereal mirage of a record, gloriously heady and endlessly fascinating.