When writing ‘end of year’ anythings, it’s hard to avoid the cliché line of ‘this year was better than the last’, but it honestly feels true. It never ceases to amaze me how cutting-edge, transformative and exciting music is right now, both in my hometown of Bristol and across the world.
After spending an agonising hour trying to write something profound about the year, I instead decided to save the yakkin’ for the upcoming end of decade playlist and instead let the music do the talkin’!
Bristol’s 1020 Radio kindly let me curate the fourth entry in their residents Spotify playlist series!
There’s no theme, no agenda, just 25 tracks that were in my gut at the moment of collation. Old loves, new hits, and artists covered in recent HoS posts, ranging from femme punk, goth-pop, Kubrick soundtracks, and Germanic EBM!
2019 is a year of many milestones for The Cure. It’s the big mans sixtieth, 40th anniversary of their debut album Three Imaginary Boys and 30 years since their smoggy masterpiece Disintegration, a winning headliner slot at Glastonbury Festival and whispers of a new album has got me dunking my head in their rich and extensive back catalogue.
Here it all is, from the sunny singalong of ‘Friday I’m in Love’, to the Gothic dread of ‘Pornography’, via ‘The Walk’ synth-pop and drugged up, strung out psychedelia of ‘Wailing Wall’. Every album track, B-side, soundtrack oddity, strange Depeche Mode cover, all lovingly collated and presented in comprehensive and chronological order.
Music right now is colourful, biting, stirring, and so cutting edge you feel lucky to be in the middle of it all. A significant part of this progressive wave, both musically and politically, are the amazing women seizing music away from the tired hands of the male, pale and stale, and smashing the patriarchal rock clichés with vigour.
There’s such an ocean of brilliant women creating reactionary and pioneering music, how does one do that justice by a mere 25 song playlist? This is simply the tip of the iceberg, and the artists that have sound tracked my last few years, an entirely subjective collation, for whatever my opinion is worth.
Here we have a gamut of all manner of musical awe: The icy soundscapes of Void Vision, Pleasure Venom taking a tiki torch to MAGA SS red caps, the digital venom hurled at male entitlement by Girl Pusher, the cavernous mysticism of Iona Fortune, and the kaleidoscopic alien visitation that is Spellling. I hope you enjoy as much as I did!
International Women’s Day is more than just a day, and your solidarity should consist of more than compiling a playlist. Support your local female artists, let’s ensure our venues and musical spaces are safe and free for everyone, and let’s be vigilant at removing the social hurdles and obstructions that stifle great art.
There’s still a way to go, in society, in the music scene and industry, and perhaps even IWD itself. My good friend, singer and musician Amber Watson, has this to say:
‘On the one hand I want to feel excited about IWD and celebrate my womanhood. But honestly I do that every day. It’s the parts of IWD which dosen’t see consistency throughout the year that troubles me the most, and therefore make me view the day as somewhat pointless. Promoters, bookers, venues, labels, radio managers and presenters… etc etc etc… they all hold responsibility to ensure more women are being placed on their line up, in their workforce or hosting their shows etc. Holding an annual day to say “oh look we’re on the band wagon too” isn’t enough to make change. The issues will never be fixed if we leave it to a yearly celebration and conversation. The music industry deserves diversity; creativity flourishes when you have more views and ideas added to the bucket, and shit well we all wanna hear new epic music right? Unfortunately I am not seeing huge movements in the stats across the board, and the industry is constantly disheartening to me. So IWD makes me cringe a little, yes, let’s celebrate, but how about in 2019 we ALL continue to keep that motion swinging and work towards equality like certain organisations and groups are persistent with. Don’t be a hypocrite, be a fully fledged, 24/7 ally, and reap the benefits through some fit as fuck tunes and shows.’
Head over to Noods Radio and discover all the women/female identifying residents and DJ’s being celebrated on their ‘Women of Noods’ feature series.
Check out Loud Women, a not-for-profit initiative dedicated to showcasing women artists and pushing women music journalists, with an option to submit your own editorial contributions too!
Bristol Women in Music is currently ‘under construction’ at the time of writing, but has a growing reputation of raising awareness of the issues faced by women when navigating the music industry. Also organises women focused DJ lessons!
Audiofemme is a NYC femme and non-binary run music and culture blog. Give it a follow!
Bristol’s Exchange is hosting the International Women’s Day Extravaganza, a jamboree across two days, full of live acts, drag kings and queens, and DJs til the early hours. Also screening the documentary So, Which Band is Your Boyfriend In? on the Saturday. Get a bundle ticket for £10, with proceeds going to Mind, to raise awareness of the mental health support for Women and those in the LGBTQ community.
If you miss the Saturday screening of So, Which Band is Your Boyfriend In?, here’s a list of all further screenings.
The Zion Community Art Space in Bedminster Down, Bristol, is hosting the International Women’s Day Gig Night, a roster of female acts with proceeds going to the breast feeding support group ‘Babes@Zion’. Includes Mexican food!
Give artist/singer and radio expert Amber Watson a follow. Not only did she kindly contribute to this post, but is also a talented reviewer at Tap the Feed. I had the great privilege of seeing her sing live, and her 5 minutes was the sincere highlight of the entire set.
Check out singer Annie Nash, a new and upcoming artist returning to the Bristol music scene after a hiatus. Follow her Instagram to keep updated on forthcoming releases!
The amount of fantastic music that made 2018 makes creating a playlist an arduous task. Originally totaling 50+ songs, the painful, gut-wrenching process of elimination to just 25 songs demonstrated just how many tracks there were I loved. This is no objective best of, but a purely subjective collation of the songs that sound tracked my year.
Honourable mentions include the power pop indie of Flasher, MAGA frat boys eaten alive by Pleasure Venom, vomit in your turn ups and piss stinking tales of broken Britain by Hotel Lux, Jarada tearing your face off with their brand of blistering Israeli hardcore, the haunted candle lit flickers of dungeon synth mage Old Tower, and the great return of industrial juggernaut Ministry, with AmeriKKKant being their best record since Animositisomina.
Here’s to the heroes of 2018, and here’s the songs which wooed me, wowed me, moved me, and smashed me in the face like a sledgehammer. Merry Christmas! 🎄