• Aigue Morte ‘Aigue Morte’

    The historic commune of Aigues-Mortes in the Occitanie region of Southern France has inspired writers from Boccaccio to Hemingway, its centuries-old fortifications circling the city and the towers still standing from the days of Charlemagne relics of medieval heritage imbued with a special, arcane energy. The original fortress entrance, the Carbonnière Tower, is surrounded by…

  • Greathumour ‘Choose the Obsolete’

    Will the internet ever die? It seems impossible to even contemplate the web’s hypothetical demise, its impact on every facet of humanity so profound that the emerging digital age it ushered is considered as fundamental a turning point as the Industrial Revolution. Evolving and growing in ways light-years beyond what was originally envisioned at the…

  • Liquid Face ‘Crumbling Structure’

    “…Indulgence, anger, impending doom, confusion, finding your place in the world…” lists Aussie weirdo rocker Cal Donald as to his recurring themes. Easily cataloguing the arduous struggle universally felt by humanity wading through a quagmire of rampant authoritarianism and societal implosion, Donald’s casual ticking off of motifs touches a natural and perhaps accidental profundity that…

  • RRS ‘Tonight’

    Cardboard is not immediately what comes to mind when seeking inspiration. Perhaps the heavy-duty, paper-based material is unfairly forgotten, a major resource for many budding creative, be it a primary school nativity play to the avant-garde peaks of Hugo Ball’s Cubist costume worn while delivering his Dadaist poem ‘Karawane’. It’s also a perennially a recurring…

  • Angry Blackmen ‘Headshots!’

    “I’m the minstrel man, cleaning man, pole man, shoeshine man, I’m a n****r man” sang Scatman Crothers on the opening to Ralph Bakshi’s controversial Coonskin. A cult satire on race politics in 1970’s America subverting the rose-tinted nostalgia of Songs of the South, its stark use of ‘darky’ iconography and plethora of ethnic stereotypes still…

  • Hen Ogledd ‘Free Humans’

    “Good evening, radio audience…” spoke the world’s first voice synthesizer. Pioneered by acoustics engineer Homer Dudley, the primitive artificial speech machine wowed the crowd at the 1939 New York World’s Fair, despite its cumbersome operation and often unintelligible sentences. For all its technological marvel, the ‘Voder’ was meticulously controlled behind the scenes by Helen Harper,…