• Juicebumps ‘Hello Pinky!’

    Before the millennials came of age, nostalgia looked like film. The brief moments of colour in Scorsese’s black and white opus Raging Bull depict La Motta’s facade of cosy domesticity in intimate 16mm, the very grain of each frame in the celluloid reel prodding the wistful sentimentality of prior generations. For kids of the 90s,…

  • Sex 2 ‘Sex 2’

    Remember XX Teens, an art-punk, alt-disco band of sorts from the tail-end of the 2000s whose Google results would yield a world of accidental hardcore? Searching for San Clemente’s Sex 2 are wrought with similar pitfalls but spiked with a queasy dose of contemporary, political rot: ‘ANTIHERO949‘ advertising his alleged ‘lingual prowess’ in local hook-ups…

  • Special Interest ‘The Passion Of’

    “I don’t believe in safe spaces” singer and artist Alli Logout scoffs in an interview with OMG.Blog. The danger that hung in the air of post-punk acts like Throbbing Gristle or Suicide was only reflective of a sick world consumed with violence and the thin, veneer of civilisation society deludes itself with. Throw in nationalist…

  • Backxwash ‘God Has Nothing To Do With This Leave Him Out Of It’

    ‘Witchcraft’ is a term historically defined by Western colonists and labelled on to any custom or culture which didn’t adhere to Christian dogma. Forced to dilute their potent African spirituality to please their British oppressors, the Chewa and Tumbuka people of Southern-Central Africa have co-opted elements of Protestantism in their centuries-old Gule Wamkulu, a ritual…

  • Albert Severin ‘Athletics’

    Berlin’s grip on the cutting-edge of post-punk and electronic music never seems to ebb, from Bowie’s Kraftwerk inspired Hansa records, the alienated clangour of the Neue Deutsche Welle, to the hedonistic techno Mecca of The Berghain, the city’s innovative energy continuing to inspire. With no sign of the old Prussian capital resting on its laurels,…

  • Bob Vylan ‘We Live Here’

    “If I wanna fucking rush you, you’ll get rushed” confesses rapper and frontman Bob Vylan on the acidic ‘England’s Ending’. To navigate life with a spotless moral record is a privilege rarely afforded to the disenfranchised and oppressed, moral scruples no currency to those surviving a world of austerity assault and community erosion. For the…