When writing ‘end of year’ anythings, it’s hard to avoid the cliché line of ‘this year was better than the last’, but it honestly feels true. It never ceases to amaze me how cutting-edge, transformative and exciting music is right now, both in my hometown of Bristol and across the world.
After spending an agonising hour trying to write something profound about the year, I instead decided to save the yakkin’ for the upcoming end of decade playlist and instead let the music do the talkin’!
So why should anyone be ‘straight acting’? Scroll through Grindr and every third profile will be seeking ‘Masc4Masc’, as if repressed anger and cargo shorts are appealing to anybody.
The simultaneous message of embracing ones queerness yet fetishising heteronormativity is a contradiction mused by Bristol’s Elliot Brett, producer and ‘father’ of electro-punk/drag/grenade Lynks Afrikka. Armed with a healthy dose of disregard for genre or even format (their first release being a ‘fragrance for the mind’), The Church of Lynks Afrikka has been converting with their outrageous and provocative live shows, a subversive force even within the queer community.
Moving away from the downbeat industrial pop of last years ‘Don’t Take It Personal’ second single ‘Str8 Acting’ is an off-kilter, Patrick Cowley NRG, club donk banger, nightmarish yet fun all at once. Big fat synths bounce and boing like an MDMA come-up, the potent stench of sweat and Joop! hangs in the air while the chatter of drunk students outside the Lizard Lounge thrusts you into the dankest and perhaps most boring corners of perfunctory Bristol night-life.
Drawing from the influences of the LGBTQ+ scene while being mischievous and daring enough to poke fun at it’s foibles, Str8 Acting is another gleeful tearing down of the stagnant homogeneity that dominates club culture. All hail Lynks Afrikka!!!