Andromeda awaits the savagery of the sea creature Cetus. Chained to a rock, the waves splash at her feet and the demons maw has widened with blood thirst, if you were to see the full uncropped painting of Gustave Doré’s 1869 piece Andromeda Chained to a Rock, which adorns the cover of Windswept and Cursed.
Witch Root is a dungeon synth side-project from Manchester electronic-occultist Primitive Knot, retaining his arcane rituals and old world mysticism, but absorbing the narrative arcs of acts like Netherlands mage Old Tower. Avoiding the genres pitfalls (no PC loops to be heard here), Witch Root has presented a debut LP that feels unearthed, an organic soundtrack to the days of plague, runes, and the Danse Macarbe.
The primal, natural awe of a thunderstorm haunts the title track on album opener, cryptic drums and whispery mellotrons take refuge from the open heavens, building to a gripping melodic mood piece. Analogue synths pulse and swell against the cawing of crows on ‘Gallows Kiss’, doomy keys droning unforgivably. The weathered mellotron returns amid the crackle of campfire on ‘Cruel Whip and Tender Heart’d’, expert lo-fi production brings an ‘aged’ quality to the track, like a conceptual interlude off a black metal album. ‘Hillfort Ghosts’ is all muffle and murk, tapering off at the end with the pure haunt of febrile wind and electronic throbs. The door is pulled of its hinges, the gale merciless in its ferocity on ‘Bedded and Beheaded’, the steady pound of the executioner beats alone amid the storm, before beating with urgency on the jubilant ‘May Day’, an elation that lifts you from the preceding dread and ending with the simple delight of a running stream.
Was the condemned granted a last reprieve, or did he lose his head and reach nirvana? Such is the evocative power and narrative skill of this album, you find yourself asking questions to whatever concocted legend conceived in your head. Windswept and Cursed is an honest and sincere conjuring of the sodden ghosts and relics which haunt old Europe.