It’s been ten years since Sixth June’s debut LP Everytime, an exemplary work of darkwave synth-pop that thrust the band at the forefront of the minimal-synth resurgence alongside acts like Xeno & Oaklander, Automelodi and Daybed. Kindred spirits they all may be, Sixth June’s lush production and organic textures belied their cold-wave tag and have since continued to forge a unique sound unto their own, one that’s stirring, dramatic, and romantically European.
With third album Trust, the Belgrade duo continues much where they left off from 2017’s Virgo Rising, furthering their penchant for pared-down sonics that illicit deep emotional feeling from the simplest of synth washes and rich atmospheres. This sumptuous subtlety is established immediately on ‘In Dreams’, a rousing yet introspective album opener of wooden percussion and sax overlays which expertly demonstrate their ability to sculpt a wide traverse of mood with seemingly simple instrumentation. The mysterious ‘Negde Neko’ reaches even greater depths of aural purity, haunting keys and perhaps Lidija Andonov’s finest vocals yet recall the ethereal production of Nick Cave’s Ghosteen were it not for the hypnotic drum machine.
There’s plenty of familiar punch amid the austere restraint. ‘Oh Boy’ is classic Sixth June, an urgent pop number with that unmistakable cinematic evocation that grows and swells to a thrilling crescendo without becoming bloated or grandiose. Laslo Antal takes lead vocal duties (his baritone delivery first heard on side project Diesein) on the electro-pop title track, incorporating funky bass and irresistible guitar licks that mesh beautifully with crisp beats and soaring synth melodies before segueing to ‘Remind Me of the Time’, another example of their uncanny ability to marry the organic with the synthetic.
Ten years can dull any artist, but with Trust Sixth June show they are just as confident and inspired as they were a decade ago and still one of the leading figures in the synth scene.