Europe’s most fortified border lies in North Africa. Separating the contested autonomous city Melilla from Morocco, the Spanish imposed border fence, with it’s motion sensors and watchtowers, has, along with the Calais Jungle, come to symbolise the human catastrophe and moral failure that is the migration crisis. When the fair comes to town every September,…
You’d be forgiven for thinking that the sleeve for [DETENTION] was some poster for a new St. Trinian’s movie, but perhaps that’s the point? Chewing gum, all in school uniform, with guitarist Arvid Sjöö sporting a Rick Nielsen cap, this is a cover which wears it’s love for pop-punk, emo, and flipping off your teacher…
‘Pure uncensored female rage’ is the mission objective of five-piece Brighton punk glitter grenade PUSSYLIQUOR, joining fellow wreckers of patriarchy Pink Kink, Glitoris, and Slut Magic, in the quest to give a collective, sparkly Doc Marten boot square in the balls of the male, pale, and stale. Armed with a ‘don’t give a fuck’ L7…
Grace Ives sat cross-legged, hunched over her Roland MC-505 with mic in hand, as featured in many of her promotional pics, is exactly the recording process one imagines when listening to 2nd. Bedroom beats, diary confessionals, everyday musings, Ives’s second release is a breezy, lo-fi hang-out where songs could just as easily stem from the…
To see E B U live is to step into a universe of synthetic simulacrum, where the sensory tactility of the human experience is broken down and reinterpreted with lights and liquid electronics, fronted by the mechanic theatrics of the clockwork lover from Fellini’s Casanova. All the computer wants is to know what goosebumps feel…
Andromeda awaits the savagery of the sea creature Cetus. Chained to a rock, the waves splash at her feet and the demons maw has widened with blood thirst, if you were to see the full uncropped painting of Gustave Doré’s 1869 piece Andromeda Chained to a Rock, which adorns the cover of Windswept and Cursed.…
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